NEW YORK TIMES <\/i>BESTSELLER<\/b>
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They call the ancient hills of Jerusalem the butcher’s theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty. The first to die brutally is a girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.
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"Crisp . . . suspenseful . . . intense."–The New York Times Book Review<\/i><\/b> <\/p>\n<\/p>\n
From the sacred Wailing Wall to monasteries where dark secrets are cloistered, from black-clad Bedouin enclaves to labyrinthine midnight alleys, veteran police inspector Daniel Sharavi and his crack team plunge deep into a city simmering with religious and political passions to hunt for a murderer whose insatiable taste for bloodshed could destroy the delicate balance on which Jerusalem’s very survival depends. <\/p>\n
NEW YORK TIMES <\/i>BESTSELLER<\/b>
<\/b>
They call the ancient hills of Jerusalem the butcher\u2019s theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty. The first to die brutally is a girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.
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\u201cCrisp . . . suspenseful . . . intense.\u201d\u2014The New York Times Book Review<\/i><\/b>
From the sacred Wailing Wall to monasteries where dark secrets are cloistered, from black-clad Bedouin enclaves to labyrinthine midnight alleys, veteran police inspector Daniel Sharavi and his crack team plunge deep into a city simmering with religious and political passions to hunt for a murderer whose insatiable taste for bloodshed could destroy the delicate balance on which Jerusalem\u2019s very survival depends.<\/p>\n","protected":false},"excerpt":{"rendered":"
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